![]() To be clear: the kingdom of Ndongo also enslaved many of the people that they conquered-a fact the series doesn’t shy away from. “You see the essence of her warrior self, her politician, her mask, her intelligence, her danger.” “The progression of that scene from guile and flattery to danger and pure power, it’s beautiful,” Oni tells TIME. “This is it,” she thought while reading an excerpt of the script to audition. Do you see any slaves here? Tell the governor there are no slaves here, in my kingdom.”įor Adesuwa Oni, the scene fully captures Njinga’s character. ![]() “If you see any, tell me, and I will gladly return them to the governor,” she continues. ![]() A switch flips, though, when the envoy demands that Njinga immediately return the governor’s “property.” Flanked by her sisters, Njinga opens the conversation with suave diplomacy and a honeyed voice. Following her challenge, the new Portuguese colonial governor, Fernão de Sousa, is irate over his loss of profits and sends an envoy to confront her. What does it take to be a queen?”įor Njinga, being queen meant toeing the careful line of diplomacy in the face of danger. ‘Queen,’ ‘queen.’ It’s like, well, let’s really look at this. “Trying to raise a young Black woman, it’s a term that’s kind of tossed around a lot within pop culture. “Willow and I were talking about: What are those characteristics and qualities that make a queen?” Pinkett Smith says. The idea for African Queens, which will explore the life of Cleopatra in its second season, stemmed from conversations with her daughter, Willow Smith, she says. Pinkett Smith may not have learned about Njinga growing up, but she made sure her children would.
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